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I imagine this timing likely created throughout the Palladium period however I haven't validated that. Eddie Torres started showing and promoting this timing beginning in the 1980's, from what I understand. He was mentored by the late June Laberta, a ballroom dancing educator, who assisted him create his strategy and timing.

The story I'm constantly told here, that still needs additional investigation, is that as salsa started getting to new audiences beyond the Caribbean and New York, it was easier and more instinctive to show cultural outsiders to dance On1 as opposed to On2. Nonetheless, this tale doesn't account for the fact that I've listened to Rueda de Casino was originally danced a tiempo On3 in Cuba.

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Salsa On1 is just one of different salsa timings you can dance to and it is one of the most usual timing you'll locate on the planet today. Salsa On1 timing definition: "On1" implies you start dancing on the first beat of the bar of music the 1. Your break steps (direction changes) are on beats 1 and 5.

The exceptions I've found up until now, where On2 is most common, would be around New York and in South Korea (Bachata San Francisco). I'm certain there are various other areas that dance generally On2 however I have not danced in every country! If you're not sure what timing is most common where you live, ask your local dancing workshop

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When somebody claims "I dance salsa On1" they possibly suggest "I dance linear design salsa On1" (although you can dance any kind of style of salsa On1, individuals usually mean straight style). Don't worry if you have actually claimed these things before, it's all excellent most of us have! The essential thing is to bear in mind there's a difference in between design and timing and strengthen your understanding so you can be more exact when talking regarding salsa with your friends.

It connects well with the phrasing in the music, especially the piano, and other percussion tools like the cow bell and giro. Timing and style are 2 various points, so separate the concepts when you discuss salsa with your friends. No matter what timing is most usual in your area of the world, remember you can technically dance any type of design of salsa to any timing discover and delight in! Desire a lot more? Have a look at this deep dive on the difference in between dance salsa On1 vs On2 when dancing a tiempo.

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There is an initial mambo dancing that came from Cuba and after that spread to Mexico and New York in the 40s and 50s, these days when somebody states "I dance mambo" they imply salsa On2, which is different than the original mambo dancing. The erratic free-from steps of the original mambo were danced solo.

Which's what we describe as mambo or salsa on2 today. As the dance began to spread, On1 timing began to end up being prominent. Salsa On2 interpretation: "On2" means you begin dancing on the initial beat of bench of music the 2. Your break steps (direction changes) are on beats 2 and 6.

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A whole lot of dancers delight in dancing On2 for the varied methods you can connect to the music. Kid cubano is the songs and dancing that preceded mambo and salsa.

It links well to the clave, bass and conga - Salsa San Francisco. Cha-cha is similar to dancing On2 contratiempo but you add the triple step on 4 and 8. Although danced to the very same beats as On1, your break actions are currently on 2 and 6, which transforms the feeling of the dancing.

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This timing is practically similar to contratiempo On2 however the steps that are normally on 4 and 8 are on 4. It's practically like a timing in between a tiempo and contratiempo.

5 rather of 5) you're dancing this syncopated timing. In fact it seems it's frequently danced as kind of a "mistake" for anyone dancing the previous 2 timings.

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As stated previously, this was the first analysis of dance on clave (child clave), where the Puerto Ricans would straighten their front break with the 2-side of the clave rhythm while dancing On2 contratiempo. The idea is to align as lots of actions of your basic as feasible with the strikes of the kid clave.

Things concerning songs and dance is that there is no right or incorrect. There is just analysis. You can dance on any timing you like! Normally, individuals have actually found a means to dance on nearly every timing possible to boy and salsa music. Individuals dance On3 for the exact same factor you dance On1 since it emphasizes the solid beats of 1-3-5-7.

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Allow's take a look at the beats you dance On1 to: -2-, -6- (solid beats remain in vibrant) Let's take a look at the beats you dance On3 to: -4-, -8- (strong beats remain in vibrant) Notice how the strong beats are spaced precisely the very same for On1 and On3? All you do is beginning stepping On3 instead of On1.

That's why dancing On3 is so typical in Latin America. People either Try to dance On1 however start stepping On3 by mishap and it functions out simply penalty, or They do not understand much about timing and are just interpreting what they hear in the music, based on their experience growing up in a culture with salsa.

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